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So for example, you’ve written a cool beat in your MPC, but it needs some scratching.

These Logic sequences and audio tracks can also be ‘triggered’ by your MPC when required.

Remember, Logic is a complete digital audio workstation (DAW), so is also able to record complex MIDI sequences and even complete audio performances. Taking this idea a little further, you could also use your MPC to ‘trigger’ other sonic resources from Logic. The idea here was that your entire beat is written and played back within an MPC. More than a Sound ModuleĪs we saw in chapter 2, Logic can be a valuable sonic resource for beats and songs written within an MPC, working as a ‘sound module’ that can provide quality sounds triggered by MPC MIDI events. To buy and instantly download the complete 116 page book with all the project files you need to recreate all the tutorials in both your MPC and Logic, head over to my site. In this adapted excerpt from chapter 3 of my MPC Logic tutorial book, ‘ Using Logic Pro With The Akai MPC‘, I’ll take an initial look at MIDI Clock sync with Logic as the ‘master’. This full book covers everything you need to know about using any hardware Akai MPC successfully with Logic Pro (and Logic Express), from initial hardware and software set up, to using Logic as a sound module for your MPC, syncing your MPC with Logic using MIDI Clock and MIDI Time Code, and tracking both MIDI and Audio data into Logic ready for a professional mixdown.